Art 2020

A little on art this year, as a post even if I am cataloging most of my art work under projects in my art portfolio on this blog as well.

This year I visited India and made new contacts with nature enthusiasts, some professional conservationists furthering the cause of wildlife conservation through political campaigning. Being someone who always accepts their real reaction to significant events rather late.. ( perhaps because my subconscious is way more powerful and obscure than my consciousness) I was only to realize what a extraordinary trip this was going to be later, but this time, not too late (one hopes). In terms of its repercussions.. or what I hope will be the repercussions. I also went to show support to the women of Shaheen Bagh, now famous worldwide to lead a peaceful protest against GOI’s discriminatory CAA (citizenship ammendment act) and NRC. I felt kinship to the women sitting at the camp, that was supported by artists like Shubha Mudgal, writers, poets and professors who went on stage to explain the constitution as experts. The rights guaranteed by the constitution to every citizen, and how CAA is anti-constitutional. It is not clear to many Indians how the government can pass unconstitutional laws, even if it is quite a mainstream subject in the US. In India it is generally assumed that the government is lawful, and more so in these times of extreme nationalism when you are either with the government or anti-national. At any rate, somehow this minor (negligible) participation in something significant made me want to do make more negligible contributions to significant things that make my heart feel at peace with the world. Because it is in the right place, with the right people even if both the place and the people are under threat.

As witnessed in this blog and by my friends, I have gravitated towards being a conservationist for several years now, while continuing to use my “academic” training. Since last year I became more closely involved with the Sutton Avian research center in town, which is a very small (in terms of personnel) center pursuing breeding and reintroduction of at least three types of game-birds and separately conducting breeding studies in Oklahoma.So, coming back from India and with my continued and increasing awareness of phenomenal researchers and conservationists working in India, I find myself in the middle of a pandemic, and waiting to go back to India. As the Indian government make naught of forest protection acts, sentencing pristine, global diversity hotspots to destruction, like by (nearly approving) the construction of the Etalin dam in the Dibang Valley of Arunachal Pradesh or by the approval of coal mining in Dehing Patkai elephant reserve in Assam, I feel more drawn towards wanting to make a meaningful contribution. To somehow make concrete my connection to the Indian wild. Somewhere I have never really been, but I know I must try to see if it will have me.

Most of these drawings are not of India species, but everyone needs to practice somewhere, and if I may ask for your wishes to help me get to somewhere I can use this practice.

Other artwork from this series is also here in my blog.

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